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In recent years, Louis Vuitton’s ties with the art world have grown stronger through a number of high-profile collaborations between some of the most influential artists of our time. In this case, Koons, one of the most respected figures in the contemporary art world, drew inspiration from his long-standing “Gazing Ball” painting series – a number of large-format, handmade paintings and remakes of classical masterpieces – to create a series of images of Louis Vuitton’s masterpieces. –He created a series of Louis Vuitton bags and accessories inspired by his long-standing “Gazing Ball” painting series – a number of large hand-made paintings and remakes of classical masterpieces – with images of several masterpieces. He reproduced masterpieces by Leonardo da Vinci, Titian, Rubens, Fragonard and Van Gogh on a number of iconic Louis Vuitton bags such as Speedy, Keepall and Neverfull.

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Art history masters and masters influence each other, creative inspiration interlocking, and Koons through its “Gazing Ball” painting series tribute to the classical masters, and will be closely linked to their own, now Koons in Louis Vuitton bags to reproduce these images, and on the picture bold By calling the masters by their powerful names, Koons is inviting people to revisit these masterpieces, opening this temple of art to the world and encouraging people to experience the masters in a new way.

Unlike philosophers, artists often have a knack for simplifying things and speaking them out in a nutshell. Art may not be able to solve problems, but it is definitely a wonderful medium for asking them. To evaluate this collaboration, the first thing to look at is the biography of the collaborating artist, Koons. Born and raised in the fast-growing commodity society of the United States, Jeff Koons draws on Duchamp’s appropriation and fetishism, and his iconic works, such as the vacuum cleaner in the glass enclosure, the showy basketball in the aquarium, and the gold-plated Michael Jackson, make the modern labels and symbols that represent the present uncompromisingly transferable to the status of “art. “Koons’ works intentionally break the standard of beauty that people are accustomed to, taking the most vulgar objects and images and expressing them in a completely refined way, which is absurd but actually curious, as the viewer can judge.

Although he also uses mass commodities as objects of expression, Koons’ works are full of self-satisfaction and self-indulgence, in contrast to the subtle and critical spirit of the first generation of Pop artists such as Andy Warhol. Even the Maryland Institute College of Art graduate does not hesitate to draw on everything in art history, Dadaism, Duchamp’s approach, Minimalism and early Pop Art are all sources of reference for him.

Koons’ crossover project with Louis Vuitton once again follows his appropriation technique, but in contrast to his playful approach, his appropriation of the classics points to the common phenomenon of classical master paintings becoming increasingly everyday and symbolic in the modern context of today’s times. At the same time, mirror painting, Koons’ signature element, is used in a variation of this work, pointing to the attributes of fashion as a vehicle to reflect the present and express self-expression. When the familiar works of these classical painters are transformed into decorative elements on the bag, the bag itself becomes a “mirror”, reflecting the owner’s own choices and expressions.

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